Tip: Don’t Throw Away Graphite Sketches

Graphite Preliminary Sketch: Knobby Tree (R. D. Burton)Private Collector
Graphite Preliminary Sketch: Knobby Tree (R. D. Burton)Private Collector

Some artist use their pencil to draw with a lively linear approach allowing their strokes to show, and others blend their strokes to get a smoother effect–more like a photograph. Some use short strokes, dots, or longer straight or curved strokes. It doesn’t matter. Find what works best for you. Some artists find exactly what defines them and sticks with it pretty much throughout their entire career.

I’ve tried and (when exerting patience) have succeeded with all methods of drawing which are as many different ways as a painter uses brushes.

When I draw a picture as a preliminary sketch for a future painting, I like to use bold strokes without blending them. I leave specks of white between strokes to keep the drawing more exciting. However, when I draw for a finished product, I have a tendency to blend and soften to give the drawing a more realistic, somewhat photographic appearance.

R. D. Burton: Knobby Tree (watercolor)
R. D. Burton: Knobby Tree (watercolor)

Tip: Be sure you keep all your preliminary work–your sketches, graphite drawings, color workups, etc. You never know when someone wants them…even willing to pay for them.

The graphite sketch, Knobby Tree, sold but the watercolor with the same name never did. This was a preliminary work for the painting. You never know?

It wasn’t in my plans, but with a black matte and frame the graphite sketch looked pretty good.

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Five Tips That Help Artist Make Preparatory Drawings

Drawing study for “Old Woodie”: R. D. Burton

In the distant past, drawings were primarily used as studies for later paintings. They were not the end itself but a means to an end.

We know this by studying the many planned painting sketches of any of the masters going back into the middle ages and beyond. Just think of Michelangelo and Di Vinci.

Fortunately, drawings today are accepted in a much higher status and accepted as an art form in its own right. However, drawings are still often used as preparatory studies for other works.

When I was planning my acrylic painting, Old Woodie, I made various thumbnail  drawing studies and finally drew a realistic full size (24″X36″) value drawing for my painting.

R. D. Burton: "Old Woodie" Acrylic on Board
R. D. Burton: “Old Woodie” Acrylic on board

A drawing or series of drawings can:

  • Help familiarize yourself with your subject matter
  • Help investigate the play of light
  • Assimilate all information
  • Give a precise visual reference as you paint
  • Help take several preparatory drawings into on painting composition
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Tips to Draw With Colored Pencil

R.D.Burton #84~Display-Example of colored pencil drawing
R.D.Burton #84~Display-Example of colored pencil drawing

As far as art mediums go, colored pencils are a relatively recent innovation. Because of their waxy nature they retain their own distinct colors when drawn over each other. Unlike pastels, they cannot be blended. However, you can build up layers of crosshatching to produce an “optical mix” of color. This gives a visual effect which appears that the colors have blended.

Colored pencil lead (which actually does not contain lead) is made up of a pigment, a gum binder, a chalk or clay filler that gives the pencil its body, and wax. Without the wax the pencil mark would not stick to the paper. It is also what gives the lead a smooth texture.

Colored pencils are basically waterproof, but there is also a class of them that are water soluble. With these you can use along with a brush and lay water down over your drawing and manipulate it like a water color. You can also dip the point of the pencil in water and get soft, feathery lines.

Olivia: Untitled (Colored Pencil)
Olivia: Untitled (Colored Pencil)

Tip~There are several brands of colored pencils. Experiment with them until you find the one that works best for you. However, remember some cheaper grades will not give you the richness of color that some better quality grades offer.

Tip~You can use almost anything as a substrate (drawing or painting surface). It is almost as if your imagination is the only thing holding you back. The question is: how long do I want it to last? If you select paper make sure it is acid free with a high rag content.

  • Drawing paper
  • Watercolor paper
  • Pastel paper
  • Mat board
  • Wood
  • Illustration board
  • Plastic (of all types)
  • Anything you can draw or paint on
Olivia: Untitled (colored pencil)
Olivia: Untitled (Colored Pencil)

What else do you need? Actually, the good news is that the tools and accessories needed to complete your colored pencil painting or drawing are simple and inexpensive.

  • Drawing board (if using unmounted paper)
  • Drafting tape~be sure it is drafting tape and no other because it is less adhesive than masking tape. Tape your paper to a board all around and remove carefully not to tear the picture surface.
  • Brushes~I recommend synthetic. You’ll need these if you are painting with water soluble pencils.
  • Erasers~There are several that you can use so experiment until you find what works best for you. I personally use a kneadable eraser and an art gum eraser. Remember, a lot of patience is required when using an eraser. You do not want to damage or smudge your painting.
  • Shield~This keeps your hand from touching your substrate. I’ve ruined more pictures with hand smudges than almost anything else. I now use a thin Mylar film sheet for protecting my paintings.
  • Sandpaper~This is needed to keep your pencils sharpened.
  • Pencil sharpener~no recommendations here. I have all types and use them all.

Note: Although we draw or paint with colored pencils, in this post I’ve called drawings paintings.

Who is my favorite colored pencil artist besides my adult grand-daughter Olivia? Author and artist, Bernard Poulin (of course his works are under copyright protection and cannot be shown here).

 

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Tips For Graphite Drawing

James Frederick: "Poppin' Johnny" Graphite on paper
James Frederick: “Poppin’ Johnny” Graphite on paper

Drawing is a genre of its own, since it requires a studious approach to record precisely and in detail the appearance of a person, animal, plant or object. An artist needs to work systematically to capture the particular characteristics of their subject, rather than applying their own artistic interpretation (applies only if drawing realistically).

GRAPHITE PENCIL: There are a number of kinds of pencils you can select, however, in this post we will discuss only graphite pencils. They come with “lead” encased in a wooden sheath or you may select buying lead separately and inserting them into a metal or plastic holder. The proportions of graphite and clay in the lead determine the hardness of the pencil-the more clay the harder the lead. Common designations range from 9H (very hard, light) to 6B (very soft dark).

 

R.D.Burton"Old Man Time" (Graphite Drawing) Private Collector
R.D.Burton”Old Man Time” (Graphite Drawing) Private Collector

Tip: You may have all of the pencils from 9H to 6B. Experiment with them and find the ones you are most comfortable using. I find that I am most comfortable using an HB, 2H, 4H and occasionally a 4B. The rest are still in new condition after many years of non use.

DRAWING SURFACES: There are a great number of suitable papers for graphite drawing. There are those listed at the art store and internet sights called “drawing papers” as well as those listed as watercolor, pastel or charcoal papers.

Tip: For long life be sure to select acid-free papers.

Tip: Choose 100 percent rag paper. They will accept most of the abuse.

Tip: As a rule, the smoother surfaces allow for the finest detail. There a three textures commonly found: (1) smooth; (2) moderate; and (3) rough.

Artist: James Frederick (Graphite on paper)
James Frederick “The List” (Graphite on paper)

ADDITIONAL ACCESSORIES:

In addition to pencils and drawing paper, here are a few others things you may need.

  • Pencil sharpener
  • Sandpaper
  • Drawing Board
  • Drafting tape
  • Tracing paper
  • Scrap paper

Note: If you wish to sign up for my free newsletter, click the notice on the upper right side of the sight and you will automatically be entered in the drawing for a beautiful coffee table book (see upper right).

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Art Center Information Weekly Review for 7/2~7/72012

For your convenience, click on the thumbnail picture beside the entry and it will take you to the post in its entirety.

On Monday, we discussed the Exciting and Challenging World of Watercolor, saying~If you are an artist that has not yet attempted painting with watercolor, then I encourage you to hop aboard and try it. …nothing helps but a thorough knowledge of the mechanics of the craft. Exciting because watercolor has …

Tuesday, there was no post.

 

On Wednesday, July 4th-Independence Day, we posted a blog about the person we felt was the Most Patriotic Artist of All, Norman Rockwell. We said~It is hard not to see the amber waves of grain in the astonished, excited, mischievous and sometimes even sad expression on the faces of the hundreds of…

 

Thursday, there was no post.

 

Sample of Backlighting

 

On Friday, We gave y0u-Six Tips for Painting Backlighting in Your Composition~We said that when a subject blocks the lighting (standing in a lit doorway at night) the illumination is considered…

 

 

 

Making a full scale drawing.

 

On Saturday, We discussed Painting With Acrylics Using Egg Tempera Techniques. I discussed my attempt to paint the picture, Old Woodie, in (as near as possible) an egg tempera technique. I am the first one to admit that I…

 

 

 

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Painting With Acrylics Using Egg Tempera Techniques

Whether I paint on board, linen, or canvas I prime my substrate with four sanded smooth coats of gesso. I then make a preliminary pencil drawing on tracing paper and transfer it to the substrate.

R.D. Burton (artist doing preliminary sketch for Old Woodie)
R.D. Burton (artist doing preliminary sketch for Old Woodie)

I attempted to paint this particular painting “Old Woodie” in (as near as possible) an egg tempera technique. I am the first one to admit that I failed to accomplish this feat a hundred percent, however it turned out to be an acceptable painting and was an eye-opening experience. The painting was done on 1/4″ Masonite board.

We tend to think of egg tempera as a picture made up of delicate details with fine brush stroking and a smooth matte finish with no paint buildups.

 

Artists working in true egg tempera use small, rapid brushstrokes to blend their colors and soften the edges. It is a laborious process requiring skill and patience. This is why most artist choose to work with watercolor, oil or acrylics.

R. D. Burton: "Old Woodie" Acrylic on Board
R. D. Burton: “Old Woodie” Acrylic on Board (24″X36″)

Since I wanted to paint this picture using the egg tempera technique with acrylic paints, I tried and tested the brushwork techniques akin to that medium. It was trying indeed. I found the controlled execution lacks spontaneity, but it did offer an opportunity to reacquaint myself with the beauty of fine lines and precise formal renderings.

For a medium mixture I used a 50:50 ratio of water/acrylic-matte medium ensuring a good adhesion and giving the painting surface the dry, matte finish so characteristic of egg tempera paintings. I used the sable-like watercolor brushes for the small areas and detail work just so it would be prevalent with the tempera technique. When finished I protected the painting with three coats of sanded smooth satin varnish.

 

 

 

 

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6 Tips For Painting Backlighting In Your Composition

Sample of Backlighting

The field of light surrounds or infuses the edges of an object when the light comes from behind. When a subject blocks the lighting (standing in a lit doorway at night) the illumination is considered contre-jour lighting.

When a form is placed contre jour:

  • Silhouette shapes become prominent
  • Color loses saturation
  • Shadows stretch forward
  • Glare of light spills over edges of form
  • Details disappear
  • Light seems to shine from inside the frame of the picture

When you consider making a composition with contre-jour lighting consider light area behind the subject as a flash of bright vapor streaming out of the background and melting the edges of the form.

 

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The Most Patriotic Artist of All

A snapshot of a museum brochure. The paintings depicted here are for information only and do not represent the quality or value of the actual paintings.

 

When I think of artists in America that painted the American spirit consistently in (I want to say all) most of his compositions, I think of one of my favorite artist–Norman Rockwell.

It is hard not to see the amber waves of grain in the astonished, excited, mischievous and sometimes even sad expression on the faces of the hundreds of children he painted.

I am sure he did not fake it when he painted America so beautiful. He painted the America he saw. He painted me and you. He painted the people we know, the butcher, the baker, the candlestick maker, and his viewers could associate with them as the “can do” Americans.

Have a happy and respectful Independence day.

 

 

 

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The Exciting and Challenging World of Watercolor

If you are an artist that has not yet attempted painting with watercolor, then I encourage you to hop aboard and try it. All that lies ahead is great adventures and excitement. It’s almost like piloting a one engine plane…nothing helps but a thorough knowledge of the mechanics of the craft. I’ve found watercolor an exciting and challenging way of painting. I’m sure you’ll find it so.

Painting: Winter Kindling
R. D. Burton: Winter Kindling

 

Exciting because watercolor has an “action” all its own. Sometimes this action is erratic and unforgivable. But this is where the excitement comes in...it is unforgivable. It moves, it wanders, it crawls and creeps, and it fights back.

 

 

R.D.Burton: "Woman In The Field" (watercolor)
R.D.Burton: “Woman In The Field” (watercolor)

 

Challenging to see how much of this dark behavior we can learn to master, guide, and control through the hard but fun work of finding out what makes this medium tick.

Ah, it’s a tricky medium, watercolor. However, once you have learned the techniques, fundamentals, and mechanics of this elusive love then you can proudly say that you did it. However, if you’re afraid to try, remember that you can read forever about how to ride a bicycle, but you learn only by trying the machine itself.

I challenge you to go for it. You have to get the feel of it. It’s a wonderfully exciting bumpy trip.

"The Winter Farm"
R.D.Burton: “The Winter Farm” (watercolor)
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Weekly Review~June 25-30

This past week we had a great many visitors to our sight. For most of the blogs posted, we discussed ways you can promote your art via the internet. If you haven’t already visited the individual pages and missed these tips and hints, here is a run down of the weeks blogs. For your convenience, to immediately go to the page referenced, simply click on the picture next to the description of the blog post.

segment of "Old Woodie"
segment of “Old Woodie”

MONDAY: Helpful Tips to Help promote Your Art~I said that many artists find it difficult to market themselves. However, if you are to reach people outside of your comfort zone of friends, family, and colleagues, you must promote yourself to a wider network.

I gave you eight valuable tips that should help any artist put together a workable plan to market themselves.

 

R.D.Burton"Old Man Time" (Graphite Drawing) Private Collector
R.D.Burton”Old Man Time” (Graphite Drawing) Private Collector

TUESDAY: Can You Utilize the Internet to Promote Your Artwork? I wrote that an artist has to have a plan, but there is no doubt that the internet can help get you noticed as an artist and give you a number of places where you can promote and sell your work. I discussed my personal experience using the internet utilizing this blog sight.

I pointed out that there were a great many ways to get more traffic to my sight and I plan to be using most of these in the future.

 

WEDNESDAY AND THURSDAY:No blogs posted on these days.

R.D. Burton (artist doing preliminary sketch for Old Woodie)
R.D. Burton (artist doing preliminary sketch for Old Woodie)

 

FRIDAY: Some More Tips to Help Promote Your Artwork~I discussed my experience with my blog sight, and how visitors can see works in progress, finished works, and other artist’s works and read statements about it. My blog is as much visual as it is textual, with me being a commentator.

I discussed that you must have a plan to help visitors find your web or blog sight and gave you nine valuable suggestions to help you.

"The Winter Farm"
RDBurton: “The Winter Farm” (watercolor)

 

SATURDAY: Using Dry Brush in Watercolor~ If you wish to create texture and broken color in watercolor, particularly for foliage and grass in a landscape or hair and fur textures in a portrait or animal painting, you need to use a dry brush technique.

 

 

If you click on the thumbnail to the right, you can visit my most visited blog post. I have no idea why. It does have some very interesting information on how an artist can help direct the viewers eyes to the center of interest in their work. >>>

 

 

 

Be sure to sign up for the Art Center Information newsletter by entering to win a beautiful art coffee table book~(top right). >>>

 

 

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